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A post at HLit got me thinking about locative hypertexts, which are meant to be read in a particular place.

Monday, Liza Daly shared an epub demo which pulls in the reader’s location, and makes decisions about the character’s actions based on movement. Think of it as a choose-your-own-adventure novel crossed with a geo-aware travel guide. It’s a brief proof-of-concept, and the most exciting part is that the code is free for the taking under the very permissive (GPL + commercial-compatible) MIT License. Thanks, Liza and Threepress for lowering barriers to experimentation with ebooks!

‘Locative hypertexts’ also bring to mind GPS-based guidebooks as envisioned in the 2007 Editus video ‘Possible ou probable…?’¹:

Tim McCormick summarizes:

In the 9-minute video, we get mouth-watering, partly tongue-in-cheek scenes of continental Europe’s quality-of-life — fantastic trains & pedestrian streetscapes,independent bookstores, delicious food, world-class museums, weekend getaway to Bruges, etc.– as the movie follows a couple through a riotous few days of E-book high living.

On their fabulously svelte, Kindle 2-like devices, they

• read and purchase novels
• enjoy reading on the beach
• get multimedia museum guides
• navigate foreign cities with ease
• stay in multimedia contact with friends and family
• collaborate with colleagues on shared virtual desktops while at sidewalk cafes
• see many hi-resolution Breughel paintings online and off that I’m dying to see myself

etc.

Multimedia guidebooks² are approaching this vision. Combine them with (also-existing) turn-by-turn directions, and connectivity and privacy will be the largest remaining obstacles.

So then what about location-based storytelling? I got to thinking about the iPhone apps I’ve already encountered, which are intended for use in particular places:

• Walking Cinema: Murder on Beacon Hill – a murder mystery/travel series based in Boston (available as an iPhone app and podcast).
• Museum of the Phantom City: Other Futures – a multimedia map/alternate history of NYC architecture, described as a way to “see the city that could have been”. It maps never-built structures envisioned by Buckminster Fuller, Gaudi, and others – ideally while you’re “standing on the projects’ intended sites”.
• Museum of London: Streetmuseum, true history of London in photos, meant for use on the streets
• Historic Earth, has historical maps which could be interesting settings for historical locative storytelling

1. Editus’ copy of the video [↩]
2. e.g. the Lonely Planet city guide series for iPhone [↩]

via Gene Golovchinsky, I learned of an iphone app for CHI2010. What a great way to amplify the conference! Thanks to Justin Weisz and the rest of the CMU crew.

I was happy to browse the proceedings while lounging. The papers I mark show up in my personal schedule and in a reading list.

I think it’s an attractive alternative to making a paper list by hand, using some conferences’ clunky online scheduling tool, or circling events in large conference handouts. If you keep an iPhone/iPod in your pocket, the app could be used during the conference, but I might also want to print out my sessions on an index card. So exporting the list would be a good enhancement: in addition to printing, I’d like to send the list of readings directly to Zotero (or another bibliographic manager).

The advance program embedded on the conference website still has some advantages: it’s easier to find out more about session types (e.g. alt.chi). Courses and workshops stand out online, too.

Wayfinding is hard in on-screen PDFs, so I hope that in the long run scholarly proceedings become more screen-friendly. While at present I find an iPhone appealing for reading fiction, on-screen scholarly reading is harder: for one thing, it’s not linear.

I’d like to see integrated, reader-friendly environments for conference proceedings, with full-text papers. I envision moving seamlessly between the proceedings and an offline reading environment. Publishers can already support offline reading on a wide variety of smartphones: the HTML5-based Ibis Reader uses ePub, a standard based on xHTML and CSS. There’s no getting around the download step, but an integrated environment can be “download first, choose later”. I’ve never had much luck with CD-ROM and USB-based conference proceedings, except in pulling off 2-3 PDFs of papers to read later.

Penguin recently put out an iPhone app. It’s one part browser, one part ereader. It’s a reasonable start, but it feels rough around the edges. While I may try a later version, I’m deleting this app for now. I’d rather see publishers using existing ereaders and browsers, rather than building their own—especially for title sales, which they say is coming.

While I’m sure that the Penguin2.0 team is doing the best with what they have, they would do well to focus on getting in the flow, rather than trying to be a destination. Get listed by existing mobile ereader software: treat iPhone’s Stanza, Ereader, and BookZ and other ereaders as intermediate consumers.

On to the details. The Penguin US app presents an array of options:

In fact, this page presents Penguin’s mobile site in their custom browser. (Note: to keep entry point URIs short, choose m, rather than mobile, for the subdomain.) Italics indicate suggestions from W3C mobile web best practices.

“Special Interest” may be an industry term, but I doubt it’s meaningful to most consumers (clarity). (It ranges from “African American” to “Short Reads”, and includes, for instance, “Current Affairs” and “Parenting”, BTW.)

Loading is v-e-r-y slow, even on wireless, going to subscreens… (Use the network sparingly.)

It’s slow going back home, too. (Are they providing caching information?) (Note 3 ways to get home from this screen: Besides the breadcrumb labeled ‘home’, and the global navigation in the lower left, the penguin icon in the upper right links to home. Cute, however provide only minimal navigation at the top of the page.)

Limit scrolling to one direction. Unfortunately, there’s quite a bit of whitespace in the margins.

This is the Classics page (scrolled overfar). The books themselves are at the bottom of this page (clarity, central meaning). I felt a bit disoriented at first, because news about classic titles is at the top of the page (e.g. Benjamin Button, a new production of All My Sons).

Podcasts sound great (capabilities). However, they do tie up the device (deficiencies).

The blog is not optimized for mobile viewing. For instance, there are missing plugins(deficiencies).

I’m sad that the Penguin Mobile ‘about’ page is just half a line overfull. (A pet peeve, clearly!) Perhaps the designers forgot about the service bar? Or tested in Safari (whose back button is smaller than the Penguin global navigation)? (testing)

It’s not all bad: Excerpts are always available, even without an internet connection. And I find this next screen charming: well-done!


In listing excerpts, they do keep with the color theme!


Excerpts start with a cover image and book information, pulled straight from a catalog, I presume. (limited, suitable) Tweaking formatting could make this more compact, with a more prominent title to next to, rather than below the cover image:


Scroll down to get to the first chapter:

It will be interesting to see how other publishers respond to the iPhone as an ebook platform. The Stanza free ereader for iPhone, for instance, currently has two publisher listings at the top of its online catalog: “Free Harlequin Love Stories” (4 novellas) as well as “Random House Free Library” (currently 9 recent titles, ranging from backlist massmarkets to summer and fall hardcover releases). Pan Macmillan (UK) is offering titles for purchase.

App name: Penguin US [appstore]
Maker: Penguin Group USA, web2.0
Cost: free
Quirks: Pages behave as fixed-width when zooming. Odd handling of double taps. Full-width is not used for excerpts in landscape mode.
Features: Free excerpts. Easy access to Penguin podcasts.

La Divina Commedia is another simple ebook application for the iPhone. Like Shakespeare, it provides free access to a classic read in its original language.

An attractive screen greets the reader:

Appropriately, it’s Domenico di Michelino’s painting, Dante e suo poema (“Dante and his poem”).

Navigation is simple and straightforward, and mirrors the division of The Divine Comedy. Choose a canticle—Inferno, Purgatorio, or Paradiso—to get to Canto I of that section of the poem. Within each canto, scroll up and down (using default iphone behavior—there are no options or settings). Use arrow keys at the top right to get to the next (or previous) canto in the same section.

An info screen, accessible from the cover screen, gives credits:

If you ignore scrolling, that’s 102 screens!

App name: La Divina Commedia [appstore]
Maker: Stefano Sanna
Cost: free
Bugs: none found
Quirks: To navigate to a canto, you must scroll through the previous cantos; there’s no. Dante scholars often prefer to treat the first canto as introductory, and not part of the Purgatorio, making each canticle a neat 33 cantos. While scrolling follows iphone conventions, there is no scrolling; that limits the usability, especially if the font size doesn’t suit.
Features: A solid, free text of Dante’s famous work.
Other reviews: See comments at http://www.iphoneos.it/?p=3

After seeing a great local production, I decided to reread As You Like It. Before I got around to digging out my Complete Works of Shakespeare, I got a copy for my iphone.

Reading on the iphone was a satisfying experience. The screen is crisp and paging down through the text becomes automatic. Just tap in the lower third of the screen. (Paging up is not enabled, but the upper 2/3rds of the screen allow scrolling up or down.)

I prefer reading in landscape mode:

Formatting of Shakespeare’s verse can be awkward in horizontal mode:

App name: Shakespeare[appstore]
Maker: Readdle
Cost: free
Bugs: Beware of losing your place when changing between landscape and horizontal screen modes. Pagination routines need to be updated.
Quirks:

• Navigation and font size selection are only available in the horizontal screen mode.
• Landscape mode is supported only within a text; it is not supported in the main, about, or help screens.

Features: 10 font sizes, changed by tapping buttons in horizontal screen mode. Navigating down through a text is easy: tap on the lower third of the screen.

Other reviews: A video overview starts at 1:18 of this T4 videopodcast.